“I wait in the darkness of my lonely room, filled with sadness, filled with gloom” a.k.a five gold rings December 17, 2012

It’s now day 5 of my 12 days of Christmas series and that can only mean one thing right? Well five things actually and all of those are gold rings. Yes, on the fifth day of Christmas my true love gave to me five gold rings. Go on admit it you sang that line in your head just like it goes in the tune didn’t you? Had you bought your five gold rings in 1970 they would now be worth considerably more. In December 1970 gold was valued at £15.64 an ounce, earlier this month its value was £1,060.95 an ounce. Some interpretations of the 12 days of Christmas suggest that the gold rings are in fact goldspinks which as old name for a goldfinch. However I have based my choice of songs on the gold rings and I have two great songs for you.

Firstly we go to the King, kind of appropriate for Christmas don’t you think? Yes it’s Elvis Aaron Presley with “Wear My Ring (Around Your Neck)”. The song was written by Bert Carroll and Russell Moody and was released in 1958. Up to that point Elvis had achieved a string of ten consecutive number ones on the Billboard Hot 100, but this song stalled at number two. It made it to number three in the UK. Did you know that Elvis’ father Vernon’s middle name was Elvis or that his mother Gladys’ middle name was Love? You didn’t? Well you do now. It has been said that Elvis once entered an Elvis lookalike contest and only came third. However whilst this is a great story that is probably all it is. It was an item printed in the Weekly World News which is about as reliable in the truth department as the National Enquirer or perhaps the Sunday Sport in the UK.

The second of this posts songs is the soul classic “Band Of Gold” by Freda Payne. It was a million seller in 1970 where it reached number one in the UK but only number three in the US. It was also her biggest hit on both sides of the Atlantic. It was released on the Invictus label which had been set up by the Holland Dozier Holland team after they left Motown. “Band Of Gold” was written by Edythe Wayne and Ron Dunbar but it was produced by Brian Holland and Lamont Dozier. The lead guitar on the song comes from Ray Parker Jr and two former Motown backing vocalists provided vocal backing for Freda. Those backing vocalists were Joyce Vincent Wilson and Telma Hopkins, both later went on to join Tony Orland as part of Tony Orlando and Dawn. Did you know that Freda’s sister Scherrie was a member of the post Diana Ross Supremes for a while? When I began as a mobile DJ back in the 70s some of the advice I received from an old sage of a DJ was to never play this song at a wedding reception as it is all about break up. That’s true but hell it’s a great dance track isn’t it. So I must confess to the world that I have indeed played the song at wedding receptions.

Two Goldfinches, the whereabouts of the other three are currently unknown!

“I want the world to know I’m happy as can be” November 15, 2012

This month, November 2012, marks the 60th anniversary of the UK singles chart which began in the NME in 1952. We’ve come a long way from crooner Al Martino‘s “Here In My Heart” all those years ago to the current resident of the number one spot in the UK singles chart; Robbie Williams with “Candy”. Maybe we haven’t come too far though as Robbie does fancy himself as a crooner doesn’t he. I must confess that Robbie’s current number 1 is one of the few songs of his that I like.

The chart now includes downloads which have helped to boost sales of singles considerably. Apparently there have been 3.7 billion singles sold in that 60 year period in all formats. But the peak for the physical format was the 80s which recorded 640 million singles sales.  The biggest selling UK single ever was Elton John’s “Candle In The Wind ’97” which was the singers dedication to Princess Diana. It sold 4.9 million copies and therefore raised millions for charity. Personally I prefer the original version. Does anyone ever play the Diana version these days? Incidentally do you know what the biggest selling single never to top the charts is? It’s Wham! with “Last Christmas/ Everything She Wants” which lost out to Band Aid’s “Do They Know It’s Christmas” which is the second best-selling single ever back in 1984.

There have been more than 1,200 number ones in the chart’s history. The artists with most number one singles in the UK are;

Elvis Presley (21)

Beatles (17)

Cliff Richard (14)

Westlife (14)

Madonna (13)

How tragic is it that Westlife are in there?

Hopefully it really will be their last ever tour

As a teenager I can still recall lining up my cassette recorder microphone near the transistor radio to record my favourite songs from the Radio 1 chart rundown back in the 70s. How many of you did the same? I know of at least one fellow blogger who did. You can check out his excellent post on this chart milestone on his Every Record tells A Story blog by clicking here. You’ll even be able to see him on the chart history documentary on the Beeb! Recording the charts now seems almost pointless given the availability of music on-line, which I think is a real shame. But hey that’s progress right? Talking of progress, the first ever UK number one single based on download sales alone was as far back as 2006. It was the excellent “Crazy” from Gnarls Barkley.

There are also a number of chart records an artist probably wouldn’t want though, like;

Most Top 75 hits (97 of them) without a number one. That one is the honour of the Glee Cast. I hope they keep that one forever

Most Top 40 hits without a number one is easily won by Depeche Mode with 40 of them.

But perhaps the one you really should feel sorry for is Sash! A record of five number 2 singles and no number 1.

But let me finish on a better note. The first single I ever bought was a classic UK number one in my opinion. It was “Sugar Sugar” by the Archies and stayed at the top for 8 weeks at the tail end of 1969. Personally I fell that the charts will stay with us for many years yet, albeit very much adapted from the old days of purely physical sales. I would love to hear your thoughts on this fabulous UK Charts anniversary.

Even the charts are younger than Cliff

“In the year of the scavenger, the season of the bitch” November 13, 2012

According to the Mail OnLine (so let’s treat the information cautiously) dogs prefer classical music to heavy metal and they don’t seem to like those cheap relaxing music for your canine friend CDs either. I wonder if that has anything to do with the location of their sub woofer? Click here to read the full article.

Anyway I thought that I’d like to try a little experiment about how true this is. So here are a few dog related songs that I would like you to play to your mutt and tell me what reaction you get. Unfortunately I can’t do that as I only have cats.

“Take a sad song and make it better” October 12, 2012

I always get a bit of a good feeling when a favourite song, or even one that I recognise is mentioned in a story, do you? My favourite author Stephen King does it quite often. Now there is a regularly updated site called Small Demons that have compiled a list of the songs mentioned most often in works of fiction. Click here to read about it in the NME. Here is the top 20;

1. The Beatles – ‘Hey Jude’
2. Elvis Presley – ‘Heartbreak Hotel’
3. Led Zeppelin – ‘Stairway To Heaven’
4. USA For Africa – ‘We Are The World’
5. Abba – ‘Dancing Queen’
6. Carl Perkins – ‘Blue Suede Shoes‘
7. The Beatles – ‘Lucy In The Sky With Diamonds‘
8. The Beatles – ‘Eleanor Rigby’
9. Nirvana – ‘Smells Like Teen Spirit’
10. Queen – ‘Bohemian Rhapsody’
11. Los Del Rio – ‘The Macarena’
12. Michael Jackson – ‘Beat it’
13. Creedence Clearwater Revival – ‘Proud Mary’
14. OneRepublic – ‘Apologize’
15. The Beatles – ‘I Want To Hold Your Hand’
16. The Beatles – ‘Strawberry Fields Forever’
17. ‘Lili Marleen’ (first recorded by Lale Andersen)
18. Michael Jackson – ‘Billie Jean’
19. Bob Dylan – ‘Like A Rolling Stone’
20. Rolling Stones – ‘(I Can’t Get No) Satisfaction’

I get why some of these would appear, but USA For Africa,  ”Macarena” and “Apologize”? What’s that all about? “Hey Jude” has been mentioned in Stephen King’s Dark Tower series. The Beatles have a probably unsurprising five titles in the top 20 with Michael Jackson the only other artist with more than one with his two entries. I suppose an entry for the Fab Four‘s “Paperback Writer” would have been quite apt wouldn’t it? Click here to see a longer and nicely pictorial list.

“I’ll find some crowded avenue, though it will be empty without you” September 27, 2012

I guess most of you have already heard of the sad passing of the great Andy Williams. I can remember watching his show when I was a kid; he introduced the Osmonds to the world and who from my generation can forget the Cookie Monster? I went through a period in my teens where I told myself I didn’t like Andy Williams’ music because it was classed as Easy Listening and my Mum and Dad liked it. As a teenager, certainly in those days, it was just really uncool to like the music your parents liked, although I did let Elvis through that cool versus uncool sieve.

But as I got older I began to realise just how talented a singer Mr Williams was. He could take a song that was completely identifiable with another artist and make it his own. Notably “Can’t Take My Eyes Off Of You” the Frankie Valli and the Four Seasons classic. (I do still love Frankie’s version as well). He could take a song and sing it so well that any cover would pale into insignificance, I’m mostly talking of “Can’t Get Used To Losing You” here. Then of course there is his truly sublime version of the beautiful “Moon River“.

People will say that to leave this mortal coil at 84 is a good innings and maybe it is, compared to many, but Andy Williams will be sadly missed. So my feelings go out to his family, friends and his legions of fans across the world. RIP Andy Williams, you were a true icon.

“Yet there’s still this appeal that we’ve kept through our lives” June 24, 2012

Many of you will already know that the NME celebrates its 60th birthday this year. It was first published in March of 1952, it was later that year that it also published the first ever UK singles chart based on sales. That was in November 1952 and featured Al Martino‘s “Here In My Heart” at number one.

As part of their birthday celebrations the NME has published a list of the top 100 songs since the paper has been around. I’m sure that there will be plenty of debate about what is in and what isn’t in the list. I was particularly surprised that there are no songs from the 50′s included. How about Elvis Presley’s “Heartbreak Hotel” that was pretty damned ground breaking. Incidentally the spread of songs from the other periods are;

60s = 22

70s = 16

80s = 19

90s = 19

00s/ 10s = 24

Why not cast your vote in my favourite decade poll below

My favourite song of all time; Bob Marley’s “No Woman No Cry” reaches number 86 and Mr Bowie has “Space Oddity” at number 39 and another song in the top 5 (more of that one later). The Beatles have three entries in the top 100. Thankfully Westlife, Cheryl Cole and their ilk are nowhere to be seen in this list.

So without further ado and in traditional reverse order here is the top 5;

5 “Blue Monday” – New Order

4 “Good Vibrations” – Beach Boys

3 “”Heroes”" – David Bowie

2 “Common People” – Pulp

1 “Love Will Tear Us Apart” – Joy Division

If you’re interested click here to find the top 50 (I haven’t been able to find a site that shows the whole 100)

“I wondered should I go or should I stay the band had only one more song to play” March 3, 2012

Is it me or does Mr Humperdinck look a little 'plastic'?

The UK is taking a rather novel approach to this years Eurovision Song Contest. They have selected septuagenarian crooner  Arnold George Dorsey aka Gerry Dorsey but better known as Engelbert Humperdinck. After years of poor results in the contest with the nadir arriving in 2003 with a first UK nul points score from the hapless Jemini. Last year boy band Blue were our entry with the song “I Can”. They could only muster and 11th place finish which suggests that the song would have been more appropriate if it were called ‘I Can’t’

Engelbert will be 76 when the contest takes place in Azerbaijan on 26th May this year. he was born in Madras, India in 1936 to a British father and an Indian mother. The song is apparently not written yet but will be composed, at least in part, by Sacha Skarbek, a Novello award winner who cowrote James Blunt‘s bloody awful dirge “You’re Beautiful”. Not a great omen then! Hump had his first major success in 1967 when his UK number one managed to prevent the Beatles from achieving another chart topper with the double ‘A’ side “Strawberry Fields Forever” and “Penny Lane“. His song “Release me” was also the best-selling UK single in 1967. All that at the height of the hippy movement and in the summer of love.

Vote for me and I'll make your economy this big (The Hump addresses the Greeks)

Some Eurovision experts (yes there are plenty) have suggested that with so many countries in the competition the ‘youth vote’ is split. However experts believe that the choice of the Hump to warble for Britain will pick up the pan European pensioners votes. He also took his name from the German composer who wrote an opera called ‘Hansel and Gretel’, so that’s the German vote in the bag as well. He has had four number one songs in Ireland and release me was number one in the Netherlands so that’s two countries that’ll vote for him as well, so it’s certainly shaping up not to be another nul points year.

Personally I think he may pick up a few votes from the hip community, as opposed to the hip replacement community, this would result from his appearance on the ‘Beavis And Butthead Do America‘ movie soundtrack. The song was not a big hit, but it was for many, including me, a classic. That song was “Lesbian Seagull”. On the subject of Beavis and Butthead, Jedward have been selected to represent Ireland in the contest for the second year in a row. I have a degree of admiration for their management for extend their 15 minutes of fame so far beyond their sell-by date. They did do better than Blue last year though! Anyway let me finish by showcasing a few Humperdinck classics.

The Hump meets the King

“Oh man! Wonder if he’ll ever know he’s in the best selling show” January 8, 2012

It’s January 8th 2012 which means that David Robert Jones is now a pensioner; yes, Mr Bowie is officially an old bloke aged 65. I have made many posts about David Bowie since I started this blog and indeed I have posted on his birthday before as well. So what can I say that I haven’t said before about the Dame? Well how about some trivia about him that you may or may not have heard?

He left school with just one GCE O Level, which means that I left school with twice as many O Levels as he did. The lack of even minor academic qualifications hasn’t held him back though has it?

It is widely known that he shares a birthday with Elvis Presley who was born 12 years before Bowie in 1935. But did you know that he shares that birthday with a number of other music stars as well?

• Shirley Bassey (1937)
• Little Anthony off of Little Anthony and the Imperials (1940)
• Robby Krieger off of the Doors (1946)
• R Kelly (1967)
• Sean Paul (1973)

On top of that it is also the same date that the new North Korean leader Kim Jong-Un was born in either 1983 or 1984 and Stephen Hawking in 1942.

I am in the middle of reading Peter Doggett’s book ‘The Man Who Sold The World – David Bowie And The 1970s’ which is a journey through the 70s song by song of everything Mr Bowie recorded. Parts of it are a little too muso for me, but that doesn’t mean it’s not an excellent book. I have learnt some new things about Bowie, which is really something for a moderately obsessive fan! Did you know that Bowie had wanted Phil Spector to produce the ‘Aladdin Sane‘ album? I certainly didn’t, but it would have been a fascinating mix of styles. That album sold less than half of the nearly 11 million sales achieved by the ‘Lets Dance’ album in 1983.

It would be fair to say that “Rebel Rebel” from the ‘Diamond Dogs’ album is a brilliant pastiche of the Rolling Stones. Did you know that Bowie also provided backing vocals and hand-claps on the Stones hit “It’s Only Rock ‘n’ Roll” from 1974? Live Aid in 1985 prompted Bowie and Mick Jagger to record together again with a cover of Martha and the Vandellas “Dancing In The Street”. Not the best cover version in the world in my opinion. In a survey by the PRS last year it was voted as the song that most people would play at street parties to celebrate last years Will and Kate Royal nuptials.

As well as being a musician David has always been a music fan as well and has often championed some of his favourite acts. Back in the early 70s he heard that Mott The Hoople were about to break up so he got in touch and offered them a song to persuade them to stay together. The band went on to have a massive hit with Bowie’s “All The Young Dudes” but did you know that the first song he offered them was “Suffragette City”? They turned it down saying that it didn’t really suit them. Bowie went on to produce Mott’s ‘All The Young Dudes’ album with Mick Ronson. In 1975 Ronson became a member of the band for a short while and recorded what became their farewell single “Saturday Gigs” with them.

So that’s enough of my drivel and it just remains for me to wish David Bowie a fantastic 65th birthday and to share with you the most played Bowie tracks on Spotify in descending order;

“We make out in your Mustang to Radiohead” November 30, 2011

Katy does the garden........ shearly not?

I’m sure that you’ve heard Katy Perry’s new single “The One That Got Away” which is clearly yet another slice of perfect perry pop and a great radio song. But what intrigues me about it is the line about making out in the lyrics. It reads ‘We make out in your Mustang to Radiohead’. Firstly we get Katy Perry mentioning Radiohead, which I feel makes for quite strange bedfellows. Secondly, does anyone actually make out to Radiohead? I love the band but they wouldn’t be my choice for a sultry, seductive night in with Catwoman! I would prefer a bit of Marvin Gaye’s ‘Let’s Get It On’ album.

Having listened to the song again though it got me thinking about some of my favourite songs that mention bands or singers. You can enjoy five of them below. Let me know what your favourite songs that mention other artists are;

“Cape Cod Kwassa Kwassa” – Vampire Weekend – mentions Peter Gabriel

“Destroy Rock n Roll” – Mylo – mentions a cast of thousands including Michael Jackson, Prince, Bruce Springsteen, Tina Turner, David Bowie, Van Halen, Madonna, Huey Lewis and the News, The Cars, Herbie Hancock, Bonnie Tyler, Stevie Nicks, Men at Work, ZZ Top, Paul McCartney, Weird Al Yankovic, Cyndi Lauper, Pink Floyd, Pretenders, Billy Joel, Billy Idol, Elton John, Neil Young, Sheena Easton, Patty Smyth and Scandal, Fashion, Big Country, Morris Day and The Time, John Lennon, Apollonia 6, REO Speedwagon, David Gilmour, Rolling Stones, Pat Benatar, Hall and Oates, Wham!, Rebbie Jackson, Adam Ant, Bananarama, Christine McVie, Queen, John Cougar Mellencamp, U2, Fleetwood Mac, The Alan Parsons Project, Rick Springfield, Thompson Twins, Missing Persons, Duran Duran, Police, Eurythmics, Culture Club, Boy George, Band Aid, Stevie Wonder and Relax by Frankie Goes to Hollywood.

“White Man In The Hammersmith Palais” – The Clash – mentions Dillinger, Leroy Smart, Delroy Wilson, Ken Boothe and the Four Tops.

“God” – John Lennon – mentions Elvis and the Beatles

“Punky Reggae Party” – Bob Marley and the Wailers – mentions the Wailers, Maytals, Damned, Jam, Dr Feelgood and the Clash

“All The Young Dudes” – Mott The Hoople – mentions T Rex and is easily my favourite song that mentions other bands or artists.

Imelda May – York Barbican Friday 11th November 2011 November 13, 2011

This was a night I had looked forward to for some time. Catwoman and I had booked the tickets to see Imelda May months ago and the day finally arrived last Friday. This incredibly talented woman was certainly no disappointment, but more of her later. I need to tell you about the superb support act; Big Boy Bloater. I have heard a few of his songs on-line before but they simply hadn’t prepared me for just how good he is in a live setting. The best support act I have seen in years and remember I do have a lot of years! Mr Bloater (I don’t know his real name yet, but I know it isn’t Duncan!) has retro blues style with a splash of contemporary sounds.

Catwoman felt that his music wouldn’t be out-of-place on the True Blood soundtrack next to Jace Everett. He has some great songs. I particularly liked “That Ain’t My Name” and “Big Fat Trap”. He also did a great version of the Platters “My Prayer” in a modern ska style. I met the man himself after the gig and got him to sign the two CDs I bought from the Merchandising stand; one for me and one for Catwoman (aka Catherine). If you’ve not heard him yet you really need to check him out, you will not be disappointed.

After a short break the wait was finally over as the Irish dynamo that is Imelda Mary Higham better known as Imelda May took the stage with her supremely talented band. Every song was a winner; “Love Tattoo“, “Sneaky Freak”, “Psycho”, “Mayhem” and “Johnny Got A Boom Boom” to name just a few. Boom Boom is currently my favourite Imelda May song. Catwoman and I also love “Inside Out” and had that one played after we signed the register at our wedding in September. Who would have thought that a song mentioning wobbly bits would work, but bloody hell it does!

She had the audience eating out of her hands, including us. If she told us to sing along we did, if she told us to clap we did. It’s pretty difficult to ignore an instruction from someone who is not just talented but clearly seems to love what she is doing. The audience participation probably peaked during “Proud And Humble” which she sang largely a capella with help from her audience. To do it all in those killer heels just adds to the admiration! The band was amazing, truly fuelled by rockabilly rocket power. But believe me if you see Imelda and her band as just rockabilly then listen again, you’re wrong. She played a beautiful new song “Gypsy” which I think will be massive. I could also imagine Elvis Presley covering it had he still been around.

The encore was pretty special too; three perfectly executed and well-chosen cover versions. First up was a sparse acoustic cover of “Baby I Love You” (originally by the Ronettes and well covered by the Ramones) accompanied by Al Gare on the ukulele. The whole band returned for their storming version of “Tainted Love” (originally written and recorded by Gloria Jones and made famous by Soft Cell). You can find the studio version on Imelda’s ‘Mayhem’ album. I would love to say that the title of this blog is drawn from that album, but I’m afraid it’s not. The closing number was one that she said she had been singing for years, it was one of Elvis Presley’s biggest hits, “My Baby Left Me“. A great way to close a stonking gig. We left the Barbican with massive smiles as we walked through the rain back to the car. In fact I reckon everyone who was there left in a happy mood!

Would I go and see Imelda again? Absolutely, positively, definitely yes! The same for the Big Boy too!